Abstract
The main objective of this paper is to demonstrate the general characteristics of three translation methods which are applied for the purpose of film translation in the TV corporations in Poland. This highly theoretical paper is addressed both to translation theoreticians, as well as to audiovisual translators-practitioners whose professional interests concentrate on the central European TV translation market in particular.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2006 Michał Garcarz