No. 43 (2025): Translation, Representation and Performance

No. 43 (2025)

Published 31 January 2025
Translation, Representation and Performance

guest-edited by Lisha Xu and David Johnston

Sarah Maitland
1
Editorial
https://doi.org/10.26034/cm.jostrans.2025.6936
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Introduction

Lisha Xu, David Johnston
2-11
Not outraged? Are you sure you’re paying attention?
https://doi.org/10.26034/cm.jostrans.2025.6937
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Articles

Lisha Xu
12–25
Feminism and androgyny: Gender politics in contemporary classical Chinese opera
https://doi.org/10.26034/cm.jostrans.2025.6941
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Gonzalo Iturregui-Gallardo
26–41
Rewriting the intersex body: On the opera adaptation of Herculine Barbin’s Memoirs
https://doi.org/10.26034/cm.jostrans.2025.6940
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Sarah Maitland
42–61
Constitution is not identity: On equivalence relations in translation of performance and translation for performance
https://doi.org/10.26034/cm.jostrans.2025.6942
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Vasiliki Misiou
62–77
Trans/forming the Greek theatrescape: Translation for performance as representation
https://doi.org/10.26034/cm.jostrans.2025.6943
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Kathinka Salzmann
78–90
Translating Topdog/Underdog, by Suzan-Lori Parks: Just another ‘Rep & Rev’?
https://doi.org/10.26034/cm.jostrans.2025.6944
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Benang Xuan
91–105
Polyphony and politics: Representing and translating culture, race and gender in Puccini’s Turandot
https://doi.org/10.26034/cm.jostrans.2025.6945
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Jorge Braga Riera
106–122
Non-verbal agents of theatrical retranslation: Women’s identity and the Spanish classics
https://doi.org/10.26034/cm.jostrans.2025.6946
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Bei Hu
123–138
An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre
https://doi.org/10.26034/cm.jostrans.2025.6947
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Larisa Cercel
139–154
Staging identity: When poets read themselves and their translations
https://doi.org/10.26034/cm.jostrans.2025.6948
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Ye Tian, Guanpeng Wang
155–170
Translation as growth: Xiangsheng’s growing trajectory in China and abroad
https://doi.org/10.26034/cm.jostrans.2025.6949
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Lu Yan
171-187
The implications of new censorship theory: Conformity and resistance of subtitle translators in China
https://doi.org/10.26034/cm.jostrans.2025.6950
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Book reviews

Kelly Kar Yue Chan
188-193
Misiou, Vasiliki and Kostopoulou, Loukia (Eds.) (2024). New Paths in Theatre Translation and Surtitling
https://doi.org/10.26034/cm.jostrans.2025.6951
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Helen S E Parker
194-196
Morini, Massimiliano (2022). Theatre Translation: Theory and Practice
https://doi.org/10.26034/cm.jostrans.2025.6952
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Verónica Pacheco Costa
197-200
Jorge Braga Riera (2024). Theatre is different: la traducción de la experiencia dramática
https://doi.org/10.26034/cm.jostrans.2025.6954
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Donna Wilson
201-204
Johnson, Penélope (2024). Writing a translation commentary
https://doi.org/10.26034/cm.jostrans.2025.6955
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Ran Yi
205-209
Massey, Gary, Elsa Huertas-Barros and David Katan (Eds.) (2023). Human Translator in the 2020s
https://doi.org/10.26034/cm.jostrans.2025.6956
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